Transcript:

Panel 1 [Barzillai and Adelaide walk through the doorway into the Captain’s cabin, holding their chests of belongings.]

Panel 2 [the camera turns to show the saloon with a table in the center beneath a large skylight. Barzillai is gesturing to the table as they walk past it, Adelaide’s sightline following the sweep of his arm.]

BARZILLAI:

We’ll take our meals here, with the other officers. And the cabin is this way,

Panel 3 [The cabin is a narrow room with a wash basin in a wooden stand, a twin bed tucked into the corner, and a desk. Adelaide has entered first and she’s smiling. Barzillai is behind her, looking a bit concerned and apprehensive. A dark vaguely human shape is against the wall behind him. Like previous panels, Brutality’s voice is worked into the woodgrain.]

BRUTALITY:
Mmmm bringing something so lily white to a place so red, perhaps we’ll stain her soul too.

ADELAIDE:
It’s actually quite cozy.

Panel 4 [Adelaide walks back up to Barzillai, who’s still looking slightly discomfited by her being there, but she’s quite content]

ADELAIDE:
And the smell of it…so familiar, even though I’ve never been here before. It’s the same smell as your clothes, your hair.

BARZILLAI:
The oil gets into everything. You’ll smell like a whaler, too, when you rejoin your sewing circle.

Panel 5 [Adelaide laughs, turning back towards the room]

ADELAIDE:
Ha! Perhaps it’ll turn me into such a pariah among them that they won’t invite me back.
comic can also be navigated via arrow keys or tapping the page

CHOOSE YOUR STARTING POINT

Page 44

Chapter 6, another People Talking In Rooms chapter.

5 thoughts on “Page 44

  1. I love this comic so MUCH
    weirdly soothing despite The Foreboding … I miss the sea ;v;

    1. Thank you so much! That’s definitely the balance I’m trying to strike–there’s something spooky going on sure, but this is also people’s home! Their community! For better or for worse.

  2. seaglassandeelgrass

    I spy an Ominous Silhouette…

  3. Ahhh the figure in the doorway!! That and the woodwords are such a contrast to the soft domesticity of the panel foregrounds.

Leave a Reply